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Counter cinema
bibliography from JUMP CUT
by
Julia Lesage
from Jump
Cut, no. 28, April 1983, p. 53
copyright Jump Cut: A Review of Contemporary Media, 1983, 2005
Alan Lovell's and Julia Lesage's articles on Godard in this issue continue and extend JUMP CUT's discussion of Godard and radical counter-cinema.
No. 1 (May-June 1974)
- "MEMORIES OF UNDERDEVELOPMENT" by Julia Lesage
- "WANDA and MARILYN TIMES FIVE: Seeing through Cinema-Verité" by Chuck Kleinhans
No. 2 (July-August 1974)
No. 3 (September-October 1974)
- "Interview with Jean-Pierre Gorin" by Christian Braad Thomson.
No. 4 (November-December 1974)
- "Political Formations in the Cinema of Jean-Marie Straub and Danièle Huillet" by Martin Walsh
- "From Tear-Jerkers to Thought-Provokers: Types of Audience Response" by Chuck Kleinhans
"WIND FROM THE EAST" by Julia Lesage
- "Brecht Issue of Screen" reviewed by Julia Lesage.
No. 5 (January-February 1975)
- "SPEAKING DIRECTLY: SOME AMERICAN NOTES" by Julia Lesage
- "Afterimages — Notes from Practice" by John Jost
- "WOMAN OF THE GANGES" by Barbara Halpern Martineau
- "Critical Dialogue on WOMAN OF THE GANGES" by John Hess and William Van Wert
No. 6 (March-April 1975)
- "Reading and Thinking about the Avant-garde" by Chuck Kleinhans
No. 7 (May-July l975)
- "LE GAI SAVOIR" by James Monaco
- "LE GAI SAVOIR" by Ruth Perlmutter
- "Film as a Subversive Art (Amos Vogel)" reviewed by Chuck Kleinhans
No. 8 (August-September 1975)
- "GREASER'S PALACE" by Chuck Kleinhans
- "Women's Films at Knokke" by Verina Glaessner
No. 9 (October-December 1975)
- "NUMÉRO DEUX" by Reynold Humphries
- "Psychoanalysis and Film — An Exchange" by Ben Brewster, Stephen Heath, Cohn MacCabe, and Chuck Kleinhans
- "WOMEN'S HAPPY TIME COMMUNE" by E. Ann Kaplan
No. 10/11 (Summer 1976)
- "MILESTONES" by Michelle Citron, Chuck Kleinhans, and Julia Lesage
- "Critical Responses to MILESTONES" by Bill Horrigan
- "Interview with Robert Kramer and John Douglas on MILESTONES" by G. Roy Levin
- "THE MERCHANT OF FOUR SEASONS" by Barbara Leaming
- "Cinema Novo and the Pitfalls of Cultural Nationalism" by Hans Proppe and Susan Tarr
- "Noel Burch's Film Theory" by Martin Walsh
- "Burch and Brecht — Critical Dialogue" by Chuck Kleinhans
No. 12/13 (December 1976)
- "MACUNAIMA" by J.R. Molotnick
- "UNDERGROUND" by Thomas Waugh
- Articles on New Film Theory by Geoffrey Nowell-Smith, Judith Mayne, Julia Lesage, and E. Ann Kaplan
- "THE NIGHTCLEANERS" by Claire Johnston
- "MOSES AND AARON" by Martin Walsh
- "Interview with Jean-Marie Straub and Danièle Huillet" by Joel Rogers
No. 14 (March 1977)
- "OCTOBER" by Murray Sperber
No. 15 (July 1977)
- "JONAH WHO WILL BE 25 IN THE YEAR 2,000" by Robert Stam, with response by Linda Greene, John Hess, and Robin Lakes
- "Brecht vs. Pabst in THE THREEPENNY OPERA" by Jan-Christopher Horak
- "EFFI BRIEST" by Renny Harrigan
No. 16 (November 1977)
- "FOX AND HIS FRIENDS — Gays in Film" by Bob Cant
- "FOX AND HIS FRIENDS" by Andrew Britton
- "JEANNE DIELMAN" by Jayne Loader
- "Criticizing UNDERGROUND" by Peter Biskind (introduction) and by the Weather Underground Revolutionary Committee and Bernadine Dohrn
No. 17 (April 1978)
- "Brecht and the Politics of Self-Reflexive Cinema" by Dana Polan
No. 18 (August l978)
- "ICI ET AILLEURS and SIX FOIS DEUX" by Guy Hennebelle (trans. Tiffany Fleiss)
No. 19 (December l978)
- "RAPE" by Julia Lesage
- Special Section on Revolutionary Cuban Cinema:
- "Overview" by Julianne Burton
- "SIMPARELE" by Louise Diamond and Lynn Parker
- "LUCIA" by John Mraz
- "Interview with Humberto Solás" by Marta Alvear
- "ONE WAY OR ANOTHER" by Carlos Galiano
No. 20 (May 1979)
- "Ways of Seeing (John Berger)" reviewed by Peter Steven
- Revolutionary Cuban Cinema, Part II:
- "Films of Manuel Octavio Gomez" by John Hess
- "Interview with Manuel Octavio Gomez" by Julianne Burton
- "ONE WAY OR ANOTHER" by Julia Lesage
- "For an Imperfect Cinema" by Julio Garcia Espinosa (trans. Julianne Burton)
- "Imperfect Cinema, Brecht, and JUAN QUIN QUIN" by Anna Marie Taylor
No. 21 (November 1979)
- "TENT OF MIRACLES" by Joan R. Dassin
No. 22 (May 1980)
- Brazilian Cinema:
- "Music in Glauber Rocha's Films" by Graham Bruce
- "XICA DA SILVA" by Randal Johnson "THE FALL" by Robert Stan
- Cuban Cinema:
- "DEATH OF A BUREAUCRAT" by B. Ruby Rich
No. 23 (November 1980)
- "DAUGHTER RITE" by Jane Feuer
- "Women's Space in Soviet Film" by Judith Mayne
No. 24/25 (March 1981)
- Special Section on Lesbians and Film:
- "The Films of Barbara Hammer" by Jacqueline Zita
- "WOMEN I LOVE and DOUBLE STRENGTH" by Andrea Weiss
- "The Films of Jan Oxenberg" by Michelle Citron
- "CELINE AND JULIE GO BOATING" by Julia Lesage
No. 26 (December 1981)
- "EL SALVADOR: THE PEOPLE WILL WIN" by Michael Chanan
- "THE TERROR AND THE TIME" by Bert Hogenkamp
- "THE TERROR AND THE TIME" by John Hess
- "Interview with Rupert Roopnaraine" by Monica Jardine and Andaiye
No. 27 (July 1982)
- "German Feminist Filmmaking: Interviews with Helga Reidemeister, Jutta Brückner, and Christina Perincioli" by Marc Silberman
- "SIX FOIS DEUX" by Jean Collet (trans. Dana Polan)
- "Epic Theater and the Principles of Counter-Cinema" by Alan Lovell
- Godard and Gorin 's Left Politics. 1967-72
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