Notes

[1] Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek, eds. Theorizing Colonial Cinema: Reframing Production, Circulation, and Consumption of Film in Asia, Bloomington: Indiana University Press, 2022, 14. [return to page 1]

[2] Stoler, Anna Laura. Duress: Imperial Durabilities in Our Times. Durham, NC: Duke University Press, 2016; Grieverson, Lee, and Colin MacCabe. Empire and Film. London: Palgrave Macmillan, 2011a, and Film and the End of Empire. New York: Palgrave Macmillan, 2011b.

[3] Ella Shohat and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media,London: Routledge, 1994.

[4] Theorizing Colonial Cinema, 117. [return to page 2]

[5] Kristin Thompson, Exporting Entertainment: America in the World Film Market, London: BFI, 1985.

[6] Fredric Jameson, A Singular Modernity, London: Verso, 2002, 165, 169.

[7] Theorizing Colonial Cinema, 251.

[8] Walter Benjamin, “On the Concept of History.” In Selected Writings: 1938—1940. Edited by Howard Eiland and Michael W. Jennings. Translated by Edmund Jephcott and Others, 4:389—400. Cambridge, MA: Belknap, 2003.

[9] Chen Kuan-Hsing, Asia as Method: Toward Deimperialization, Durham, NC: Duke University Press, 2010.